Friday, September 9, 2016

GENTRIFIED By Levy Lee Simon


Gentrified

I went back home, to Harlem the other day,
353 West 115th Street, between Morningside and Manhattan Avenue,
The place I was raised and where I grew.

Stickball, in the middle of the street, and Ringling Coca 1,2,3.
The girls jumped Double Dutch on the sidewalk,
While the adults sat in Morningside Park,
and drank Shaffer beer, Ballentine Ale, and talked,
in the summertime to way after dark.

And, any adult could discipline you,
when your parents got home you already knew,
your momma was going to whip that ass,
just because somebody said you was being bad.

Skellies, strike out and tag,
wise potato chips and a soda in a brown paper bag.
Mister Softee, chocolate, vanilla and strawberry
or, Italian Icies, coconut, banana and cherry.
Sometimes …
 we played spin the bottle
down old Mr. Jones basement.
The lookout got twenty five cents.

One day Willie Mays stepped out of a limo,
and the adults  watched from their windows.
Why he came to our street that day, who knows.
But he did. We played stickball with the, “Say Hey Kid.”

Every now and then we’d cross the park,
had to be home before dark.
Columbia and Amsterdam Ave, the white folk section
Just curious kids but we had direction.
When the cops would come we’d run,
chewing on boozooka bubble gum.
Jump the wall from that strange place,
“Jeronimo!”
And land in Harlem where we were safe.

Adults gave rent parties on Friday nights,
And, there was bound to be a fight. 
But no one ever pulled a gun.
Everybody was just trying to have fun.
Couldn’t do that if someone ended up dead,
Fill the glass up with ice and Johnny Walker Red.
Dancing to James Brown and Motown,
Twisting to Chubby Checker, getting down.

115h Street, my home on my way to being grown,
where I first learned about life,
that there were times to run and times to fight.

My family moved from 115th Street when I was twelve,
just before the neighborhood turned to hell.
It was a horrible thing to see,
an entire neighborhood brought to it’s knees,
drug pushers and young kids scrambling dope,
one by one people losing hope. 

Many of my young friends lost their innocence
as death and dying became consistent.
They traded in their talents and dreams,
for a life of crime and streets that were mean. 
I was lucky that my family moved away from 115th Street,
Where girls got turned out and the boys now packed heat.
I was only twelve when we moved away,
Just in time nick of time some people might say.  

We didn’t leave Harlem though.
Just moved uptown, just so you know.
It was just a little better up there,
More arts and culture to share.
I graduated high school, college, and continued my life.
But everytime I come back I come to
115th Street or things just don’t seem right.   

So here I stand on 115th Street, 2016,
And the street that is no longer mean.
No stickball or girls jumping rope.
No kids with dreams filled with hope.
It’s a tree lined street now, idyllic and serene.
No images of the past can be seen.
Surreal and unreal at the same time,
wondering if it was all in my mind.

In Morningside Park, an Asian guy teaches his son how to ride a bike,
as I remember my Dad doing the same thing  years ago under the twilight.
White people walking with their baby carriages and dogs,
I wonder if they know the history of a people that struggled
to live in Harlem and worked so hard.


Property value suddenly gone up, sky high,
people left forced to move out, live or die.  
Harlem will never be the same,
But clearly what’s inevitable is change.
Change truly is inevitable,
evidenced by A Harlem Tavern, and A Corner Social.
That’s incredible.

I walk up Lenox Avenue and marvel at all that’s new.
A Whole Foods on Lenox, healthy food too.
Crimes gone down I hear,
people walking the streets at night, no fear.

An, international coffee house on 129th.
think I’ll stop in to have some coffee and a bite.
I walk in and am greeted with suspicious eyes.
I’m never caught off guard but to this I’m surprised.
“May I help you, she passive aggressively says.”
--- A coffee and some raisin bread. ----
She takes my card with no smile or welcome,
And suddenly I feel like I’m being shunned.
This can’t be, not in Harlem my home.
I look around and see no one that looks home grown.
And suddenly I’m feeling all alone, in Harlem my home.

Something is wrong, something’s not right,
And I get this feeling deep inside like I want to fight,
for my right to be who I am, stand a Harlem man.
For that I will take a stand.

I’m all for multi-culturalism and all that.
But to move in and take over,
Well, America has a history of that, that’s fact.

I take my coffee and raisin bread and shake my head.
This feeling I try to let go, try to shed.
Never before in Harlem did I feel I wasn’t home.
But, I felt it this day, a feeling deep inside my bones.

I looked the pretty brown woman in her face,
Cleary she was the one out of place.
Youthful innocence hiding the disgrace.
She gave me one of those half smiles,
I recognized that she was only a child.
And she didn’t have a clue,
of the history of Harlem and the people, if she only knew.
I took my seat and looked around
at all the people not from this Harlem town.
I sighed and drank my coffee, ate my raisin bread.

Gentrification has it’s place,
But it’s got to be done with respect, honor and with grace.
Because, the history and culture cannot be replaced.
And the people, the beautiful people,
 no matter what ain’t going no place.
This and thought and knew, smiled and continued to drink my brew.

This is for Harlem everyday, all day.

Levy Lee  ….









Sunday, January 24, 2016

THE OSCAR SITUATION and the BIGGER ISSUE by Levy Lee Simon


The Oscars and the Bigger Issue by Levy Lee Simon

I truly believe the recent controversy over the Oscars brings forth an issue that is  greater and much more disconcerting than most people are addressing. Yes, there is a problem with the Oscars when people of color are completely ignored by the prestigious Academy of Arts of which the overwhelming majority are white men over sixty.  There is even a larger problem when Hollywood Studios refuse to recognize and produce works by people of color. I know this first hand because as a Black screenwriter I live the problem on a daily basis. But this is not about me personally per se.  The problem goes beyond the academy, and is a symptom of issues prevalent in the majority culture. I use majority as the reality of the power structure in America and nothing more.

The great novelist, Ralph Ellison described it best in his book, The Invisible Man, where he explains the ideology of invisibility as it applies to Black people in America. His premise is that white people don’t value our importance in the world and due to that we become invisible, and that our lives, our stories, our history our very existence doesn’t matter. In his iconic book Ralph Ellison wonders why he feels out of place and through acute observation recognizes his own invisibility within the larger society. Of course this is a monumental discovery because every human being has a need to be seen and heard. Everyone wants to matter, weather it’s in their own household, the community or the world at large. I know most artist feel a need to be recognized. It comes with the territory.

Back to the Oscars, there are people who suggest that maybe certain performances by Black actors were not worthy of nominations. That surely is arguable and I’m not writing to suggest that every time a Black actor has a lead in a film they should be nominated for an Oscar. That’s ridiculous. Art for the most part art is interpretive. In many cases good work can be argued. Great work usually stands out as great work. (My opinion.)  Personally, I felt that Idris Elba and Abraham Attah In Beast of No Nation, Jason Mitchell, O’Shea Jackson, and Corey Hawkins in Straight Out of Compton gave Oscar worthy performances. The film Straight Out of Compton, also could easily have been nominated for “Best Film,” along with F. Gary Gray for directing. People can argue about my choices and that’s healthy and fine, but that’s my take on it. I also find it odd that all the talk is about the actors and not about a great film such as Straight out of Compton, which for me is an instant classic, chronicling new musically movement and an explosive time in our history.  

Getting back to my point, with all the communicative power and high visibility, that Hollywood possesses, what does it suggest when the work of Black artist is denied and ignored? The denial of our work in Hollywood trickles down to the rest of the society with an attitude on non-importance. Questions arise; Is it being said that we area not equal? Or as Spike Lee ask, “We can’t act?” Is the argument then that we are not important enough to the larger society? Is it a dismissal of our very existence? These questions cannot be over looked and they cannot be limited to Hollywood. We all know Hollywood has a lot of power. Mostly everyone loves the movies and our lives and in many ways shaped by what we see on TV and in films. Black people  have stories to tell, in a way that only we can tell them. Yet Hollywood consistently acts as if we only matter when we are in a supplement to their world. Of course we know that’s not the reality in 2016.

So, when the Oscars nominations denies us, ignores us, then how does that register symbolically to the police officer who feels that we don’t matter anyway? As far fetched as it may sound it’s all connected if ever so subliminal.  I know there are a lot of differing opinions on the subject and here’s mine, boycott, protest, speak out, do what ever, say where ever but we cannot afford to be silent, we cannot afford to remain invisible.

In doing research for a project that take place in Los Angeles of the 30s and 40s the so called golden years, the same conversations were being held by Black artist, almost verbatim. I do believe today the world is trying hard to move in a direction that is evolving  progressively away from the old ways, but the old ways are not going down without a fight. This is not a petty issue about Hollywood types. This issue is about all of us, where we are and where we are going.  Now is the time to speak up. We may not agree but the discussion needs to happen so changes can happen. It’s time and long overdue.

Levy Lee Simon